Monroe
Doctrine Centennial Half Dollar
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The commemorative coinage of the
United States is replete with issues celebrating everything from the mundane
to the monumental. Often, many
events commemorated have been relatively insignificant or of a very limited
local nature, and were of little interest to anyone other than the coin-hungry
collecting community, who, for a time, were eager to buy every issue offered
to them. Other commemorative
coins bore the banner of more nationally-important events, but frequently
suffered from the avarice or neglect of their promoters.
Few, however, were birthed by such convoluted reasoning as the Monroe
Doctrine Centennial commemorative half dollar. Certainly, the Monroe Doctrine
itself is deserving of national recognition.
This foreign policy statement issued by President James Monroe in 1823
expressed in no uncertain terms that the U.S. would not tolerate European
interference, control or influence in North and South America.
It was a brave but empty diplomatic strategy, as America was not
militarily strong enough at the time to successfully thwart the ambitions of a
major European power. In fact,
France and England successfully colonized the Guianas in the 1830s with no
interference from America, and France even went so far as to establish a
monarchy under Maximilian in Mexico in the 1860s.
It was not until the turn of the century and the conclusion of the
Spanish-American War that the Monroe Doctrine achieved the viability and
respect necessary to be considered an effective instrument of national policy. The second thread in the story of
the Monroe half occurred in Hollywood in the early 1920s.
Scandals were beginning to severely tarnish the reputation of the
studios’ stars and directors. Within only a few months director William Desmond Taylor was
murdered under mysterious circumstances, Roscoe “Fatty” Arbuckle was
indicted for the murder of a minor actress, and actor Wallace Reid died from a
drug overdose. The studios
responded by launching a public relations campaign that they hoped would help
restore public confidence in the movie industry. Two committees were formed.
One, the Motion Picture Producers and Distributors of America,
developed over the next decade into a self-regulating censorship board.
The other, the American Historical Revue and Motion Picture Historical
Exposition, was a civic-minded organization whose public relations staff found
it had little to promote. Searching for a way to raise
funds, the Historical Exposition decided that a commemorative coin would do
the trick, and in the process would generate much-needed goodwill for the film
industry. The only problem was
there were no convenient centennial or jubilee celebrations that California
could legitimately claim in 1923. The most obvious historic event correlating
with 1923 was the 150th anniversary of the 1773 Boston Tea Party. But in 1773,
California was a largely unpopulated province in the Spanish Empire with no
connection to New England. This
dilemma was finally resolved by Congressman Walter Lineberger. Introducing a
bill to authorize the Monroe Doctrine Centennial half dollar, Lineberger
reasoned that Monroe Doctrine prevented England, Spain, and Russia from
claiming and occupying California. While
this was nothing more than historical fiction, apparently Lineberger and his
fellow representatives had little concern for such details. On January 24,
1923, legislation was passed authorizing the minting of no more than 300,000
Monroe Doctrine Centennial halves: the coins were to be struck at the San
Francisco Mint and distributed by the studio’s Historical Exposition
committee. Having particular design plans in
mind, the Exposition committee sought the advice of the Commission of Fine
Arts as to whom might best be suited to turn their ideas into coin form.
The sculptor-member of the Commission, James Earl Fraser, recommended
another sculptor for the task, Chester Beach.
The committee’s ideas for the coin were simple enough: conjoined
busts of Monroe and his Secretary of State in 1823, John Quincy Adams on the
obverse, and a relief map of the North and South American continents on the
reverse. Beach executed the
obverse portraits as requested. The
only alteration the artist made to that side was the addition of two links of
chain between the words MONROE and ADAMS. Surrounding the busts at the periphery are the inscriptions
UNITED STATES OF AMERICA and HALF DOLLAR.
The motto IN GOD WE TRUST is to the left and the date and S-mintmark
are placed at the lower right. The reverse was modified
considerably, and in its final form is unquestionably one of the most unusual
and daring design motifs ever placed on a U.S. coin. In place of the relief maps of the continents, Beach
substituted two female figures which were contorted into a rough approximation
of the shape of each land mass. The
North American figure holds a branch in her left hand in the area of northern
Canada while extending a twig to South America through Central America with
her right hand. The South
American figure holds a cornucopia with her right arm.
The major ocean currents of the Atlantic and Pacific are also included,
and apparently represent the flow of goods between the two continents,
unimpeded by the European powers. In the lower left reverse field the
centennial dates 1823-1923 flank both sides of a scroll and quill, symbols
clearly intended to suggest the Monroe Doctrine.
Chester Beach’s initials are found near the reverse rim at the four
o’clock position and the inscriptions MONROE DOCTRINE CENTENNIAL and LOS
ANGELES encircle the border. Struck
in low relief, the design overall is uninspiring.
The reverse motifs are novel and would indicate a certain creativity on
the part of Beach were it not for the fact that the draped female figures
shaped as two continents were actually copyrighted in 1899 by artist Ralph
Beck and used by Beach for the seal of the Pan-American Exposition of 1901. The Monroe halves were struck in
May and June of 1923. While 300,000 coins were authorized by Congress,
curiously only 274,077 pieces were struck (the 77 odd pieces were made for
assay). A celebration
commemorating the centennial was held in June in a Los Angeles football
stadium. Little is known about
this exposition, but it is likely that the coins, priced at $1 each, were
first offered for sale there. The
halves were also distributed by banks and through the mail.
Although thousands of pieces were sold by the exposition committee,
within a short time sales fell dramatically and rather than return the unsold
remainder to the Mint for melting, local banks began releasing the coins into
circulation at face value. As a
result, many thousands of Monroe halves exist today in lightly circulated XF-AU
condition. Mint-state Monroe halves are also
readily available in grades up to MS-63.
Coins in MS-64 condition are quite scarce, and full gem Monroe halves
are one of the great condition rarities in the entire commemorative series.
(In early 1990 a superb Monroe realized an amazing $30,800 in a major
public auction). On lightly circulated specimens friction will first appear on
the cheeks of the two statesmen on the obverse.
The reverse will display signs of handling on the figures that
represent the two continents. The
luster on Monroe halves is frosted, but because the coins were struck in low
relief their aesthetic appeal is limited.
No counterfeits are known of this issue. Two matte proofs are reported
to exist, but neither has been confirmed to date. The Monroe Doctrine itself took
decades to evolve into one of the cornerstones of American diplomacy.
Similarly, the centennial coin struck to celebrate the doctrine was for
many years an unwanted stepchild in the commemorative series.
However, since 1980, and the increasing popularity of forming
commemorative collections in gem condition, the conditionally challenging
Monroe half dollar has earned new respect from advanced collectors of this
long and interesting series. SPECIFICATIONS: Diameter: 30.6 millimeters Weight: 12.5 grams Composition: .900 silver, .100
copper Edge: Reeded Net Weight: .36169 ounce pure
silver |


